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Shamsi www.shamsidances.com is a professional dancer with a varied background in Middle Eastern, North African and Turkish dance, Bharatanataym, Yoga and Tai Chi. In addition to being a Certified Teacher of Dancemeditation, Shamsi is also a level III Reiki practitioner. Owner and co-founder of BayouShimmy dance studio in Baton Rouge, LA she offers classes in Dancemeditation, Bellydance and general fitness. Shamsi's teaching is guided by a desire to make beautiful, healing movement accessible and possible for everyone. By cultivating constant, subtle awareness, Dancemeditation reaches in and wakes our sleeping inner Beauty. Shamsi brings these dynamic principals to her teaching. Noura saw her first bellydancer in Denver, CO over 10 years before she began taking lessons. Noura began studying Middle Eastern dance in 1998 under Belita Karima and Zahara Kasmir, attending two classes a week. Noura flew fast and furiously from zero to nearly professional by attending workshops with Mesmera, Morocco, Suzanna Del Vecchio and Shareen El Safy (just to name a few) within the first two years of dancing. Noura and Shamsi began teaching together in the summer of 2000. Noura has never stopped learning, continuing to take workshops throughout the U.S. and even traveling once to Africa with Mesmera. Noura is a licenced massage therapist and a former student of Tai Chi, both of which allow her a unique perspective on the body and how to teach movement. Noura’s skill and poise with sword and her smooth polished Egyptian style of dance make her a joy to watch.
Kate has always had a love for dance and music. She studied ballet in her youth with the Baton Rouge Ballet Workshop. As an adult she decided to try out tribal bellydance at a friend's suggestion. Now a co-director of Indudala Tribe, Kate has had many teachers and instructors including: N.O.Madic Tribal, Megha Gavin, Rachel Brice, and Darshan. Kate has found that dance is a top priority of hers and wants to share
the fun and interest of ATS (American Tribal Style) and its many incarnations
with others. Although her dance is founded mainly in the ATS-format, she
enjoys experimenting with other styles and incorporating them into her
ATS repertoire. Shelly began playing music over 30 years ago in his school band. The consummate fusionist, Shelly's life has led him to study as much as possible about every style of music that has crossed his path so that he can have a clear understanding of what it is he's twisting out of shape. From heavy metal to western swing, African poly-rhythms to traditional Arabic music, Shelly embraces it all. As a teacher of percussion for the last ten years, Shelly has worked with adults and small children alike, helping every group and individual to achieve a better sense of rhythm, timing and musical awareness. Shelly's methods speak to everyone, allowing new perspectives on a subject that may have previously seemed out of reach for many. Born and raised in South Louisiana, Shelly's heart and soul live in music. Living on River Road, just across the street from the Mississippi River, Shelly draws on his every day life for musical inspiration, combining the sounds of nature and industry to create his unique fusions. When he's not playing music, Shelly is thinking about guitars or how to make music. When he's not thinking about guitars or music, it's because he's playing with swords in his back yard or riding dirt bikes along the levee of the Mississippi River. Shelly has self-produced two albums in the last 3 years, "Beyond the Levee" a Darkest Heart project and "Gulf Coast Bellydance" a Blue Lotus Society project. Both are available through CDBaby and online at www.darkestheart.com and www.bluelotussociety.com Has 25 years experience with Middle Eastern dancing. She took her first Belly dancing classes with Joy-Al in Canada in the 1980s but got her deeper cultural and professional experience with the Alberta Canadian Arab Cultural Club with whom she spent 5 years performing the dabkes of Lebanese choreographers Jamil and Leila Khonaisser, and Nada Chehayeb for Alberta’s large Arab community. During that time she also belly danced bi-weekly in Lebanese restaurants and at Arab weddings and hafles. She moved to the US in 1989, where she acquired 2 Master’s degrees and 2 children. In 1999 she quit her 9 year job at LSU and began her current business of teaching French and Spanish in private schools. Though she had always maintained connections to dancing informally at private hafles, and weddings she decided it was time to combine her loves of teaching and dancing, by joining the gang at Bayou Shimmy. Marci Armour floated into her first bellydance class on a whim in 2006. Not thinking of herself as much of a dancer beforehand she was instantly drawn to the feminity and grace the dance portrayed. Following, through what seemed a whirlwind of class and eargerness to learn, she quickly developed through the ranks of student, student-teacher to now instructor. Her instruction is credited much to the Bayou Shimmy teachers, as well as being studieous in various workshops under the instructions of such dancers as Amel Tafsout, Carolena and Megha and Sonya of BDSS. From these she has pulled influence of various styles of dance, as well as her own exploration in fusing different cultural elements into her dance, creating a style crafted as a reflection of her heart.Furthering her enthusiasm she's participated in various troupe projects including Tribe Zohar of Bayou Shimmy and tribal with Kate Jensen of Indudala of Baton Rouge and also her own incarnation Las Hermanas, which she showcased a talent for "dreaming up" choreographies."Bellydance has enabled me to embrace a positive body image and awareness with confidence and gracefulness"Marci is a native of New Orleans and when she isn't dancing she's coming up a storm as a self employed caterer or cajun and creole cuisine. Rachel was introduced to bellydancing at age fifteen through her mom and was instantly intrigued by the ancient movements and found dancing provided a greater sense of self and a release from the daily stresses. Her personal style is a mix of tribal fusion and cabaret with a concentration on technical precision and improvisation. She draws inspiration from the attitude and heart of Romany Gypsy and Turkish dance. She credits all of the teachers of Bayou Shimmy such as Christina Christ, Shamsi, and Ashley for so much knowledge and inspiration over the past couple of years. Rachel continues learning by attending workshops taught by internationally known dancers such as Ansuya, Moria, Unmata, and InFusion Tribal. Ellen Peneguy is a mother of two, a communications and training analyst, and a life-long lover of all kinds of dance and stage performance. She began tap and ballet lessons at three years old and continued for over fifteen years. She also studied jazz and modern dance during these years. As an adult, Ellen has continued dancing through both classes and teaching, formally and informally. She has taken numerous ballroom, Latin and Cajun dance classes, and taught individual and group lessons on these couple dances. She has been belly dancing with Bayou Shimmy for three years, and is the assistant troupe leader of Jawahiir al Nour.
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Born in the jungles of Metairie, Ashley lived with a tribe of roaming wolves until she finally settled in the great city of Baton Rouge at age 4. There she began her dancing journey with her aunt at Cindy's Dance Company in Baton Rouge, Louisiana. She continued to dance through highschool taking classes in ballet, tap, jazz, lyrical, and hip-hop. At the age of 18 she followed a little door that led down the rabbit hole, and then up some stairs, to discover the wonderful world of belldancing at BayouShimmy Dance Studio. After committing herself as BayouShimmy's personal slave, she took numerous classes from its wonderful teachers including Shamsi, Iona, Gia Sabine, and Kate Jensen. Ashley currently teaches beginner's classes in bellydancing at the studio and co-directs the Bayou Shimmy Beginner's Troupe. She also performs in Baton Rouge and Lafayette. Her favorite color is green. CHRISTINA CHRIST Christina Christ took her first bellydance class
in 2005 and has been dancing nonstop ever since. She has been instructed
by several members of the south Louisiana bellydance community. In New
Orleans, she began her study of bellydance with Selena de la Luna at a
workshop she co-taught with Dolphina of California, and attended classes
taught by Sabrina and Gretchen of the Sisters of Salome. After Hurricane
Katrina, Christina worked extensively with Shamsi of BayouShimmy in Baton
Rouge. In April of 2007, she returned to New Orleans and now studies primarily
under Kryss and Amae of the Sisters of Salome and Shannon Wolfe of Saffron
Studio. She has attended workshops taught by a number of internationally
known bellydancers including Morocco, Megha of Devyani as well as Sharon
Kihara and Kami Liddle of the Bellydance Superstars. Christina credits
her instructors for her rapid transition from beginner to performer despite
having almost no previous formal dance training. Her personal style is
a mixture of cabaret and tribal style bellydance, which she performs as
a solo artist in New Orleans and Baton Rouge, and with the members of
Indudala Tribe. She is an instructor in Baton Rouge and New Orleans. EMILY MEYERS Her favorite bellydancers are Aziza
and Darshan. And her favorite ice cream flavor is Mint Chocolate Chip. LADY MORRIGHAN (MORRIGHAN ASPARA) Morrighan began her study of Middle Eastern Dance over 11 years ago.
She has been able to study with a variety of teachers like; Ergallis Kakias,
Morocco, Chonchi, and Ruby Jazayre, all of which, she incorporates into
her style of American Tribal. Her first teacher, Susan (By the Sea BellyDance,
KY) loved Egyptian dance. She was the first to remove the veil and show
her mysteries and dances of our ancestors. Teresita (Rakadu Gypsy Dance,
KY), shifted Morrighans’ focus from choreography to queues and transitions,
the silent language of BellyDance. With the knowldege of this physical
language one can incorporate all; Egyptian, African, Hula, Flamenco, etc.
into seamless queues for others to follow. The all encompassing style
known today as American Tribal. VISIT LADY MORRIGHAN'S WEBSITE: www.boundlessfushion.com IONA (KIM KARNELL) Iona is a native New Orleanian and has been a performer of belly dance
since 2001 and instructor since 2004. After years of exploring the artistic
venues of music, art, and Theatre, Iona finally found her true passion
in belly dance! She has since studied Cabaret and Folkloric styles principally
with Betty Karam in New Orleans and has also had dance instruction from
Dollie Eaglin, Layla Isis, Shamsi, and Serena Wilson, as well as seminar
class instruction with prominent dance artists like Amaya, Sahra Saeeda,
and Superstar Jillina. With a Master’s in Theatre studies, Iona
brings her joy of performance and stage experience to the classroom. As
a Theatre person, she is particularly drawn to dance work with props including
sword, cane, and zils. Iona’s name, meaning 'purple jewel', is a
tribute to her grandmother, Iona Meneray. VISIT IONA'S WEBSITE: www.dancingjewel.com GIA SABINE (MEGAN MORAN SMITH) A born artist in several mediums, from the first time her mother changed
Gia’s diaper and she danced away naked, her mother knew Gia loved
to move. She studied tap, ballet and gymnastics, becoming a skillful gymnast
and later transferrring that skill to collegiate cheerleading. While in
college studying fine arts, Gia taught children’s gymnastics. After
being kicked out at the end of her gymnastics class by ‘some bellydancers’
Gia discovered the ancient dance. She took a beginner’s class under
Belita Karima in the summer of 1999, finding a new and passionate art
form. Gia began teaching Middle Eastern dance classes in the spring of
2003. Claire Hatty began training at Data’s School of Dance in Marrero,
Louisiana at two years old and continued taking classes there until the
age of 18 when she graduated with her teaching certificate. During her
years there, she studied ballet, jazz, tap, hip hop, character, lyrical
and modern. Throughout those years, she also competed in several competitions
and won several performance awards and dance scholarships. Claire attended
Louisiana State University where she was a part of the LSU Golden Girls
Dance Team and the LSU Tiger Girls Dance Team. While on Tiger Girls, she
competed in Universal Dance Association’s regional competitions
where they won first every year. In UDA’s national competition,
held in Florida, her team placed in the finals each year. Also, while
in college, she was asked to be on Universal Dance Association Staff and
worked as an instructor for two years. During that time she taught junior
high to college-age dancers across the state and country. She also judged
several dance team tryouts and choreographed and critiqued for several
award winning high school teams. After graduating from LSU, Claire moved
to the New Orleans area and taught hip hop and jazz at the very place
she started, Data’s School of Dance. Now Claire is back in Baton
Rouge and is excited to teach hip hop at Bayou Shimmy and get to know
a new crew of talented dancers. TANYA RAWAL-JINDIA Tanya is a student of classical indian
dance including Bharatnatyam and Kathak. She has trained in Bharatnatyam
for 15 years and Kathak for 6 years. She has been performing classical,
folk, and bollywood style dances for 14 years but has been performing
on a professional level for 4 years. Tanya has just returned from India
after training again in Kathak for a 6 month intensive program. The classes
will consist of Bollywood style dances including classical indian dance
steps. |
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